{"id":98,"date":"2024-08-07T15:16:14","date_gmt":"2024-08-07T18:16:14","guid":{"rendered":"https:\/\/www.doctajazz.com\/br\/?page_id=98"},"modified":"2024-08-07T15:16:15","modified_gmt":"2024-08-07T18:16:15","slug":"jazz-fusion","status":"publish","type":"page","link":"https:\/\/www.doctajazz.com\/br\/historia-do-jazz\/jazz-fusion\/","title":{"rendered":"Hist\u00f3ria do Jazz: Jazz Fusion"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Um dos tipos de jazz que possui suas pr\u00f3prias caracter\u00edsticas \u00e9 o denominado Jazz Fusion, que, junto com os outros subg\u00eaneros, marca a evolu\u00e7\u00e3o do jazz ao longo do tempo. Os artistas e grupos de jazz fusion atuais refletem em seus \u00e1lbuns e composi\u00e7\u00f5es o legado dos grandes mestres pioneiros. A seguir, a hist\u00f3ria do estilo.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"816\" src=\"https:\/\/www.doctajazz.com\/br\/wp-content\/uploads\/2024\/08\/joe-zawinul-jazz-fusion-historia-do-jazz-1024x816.webp\" alt=\"joe zawinul, jazz fusion, historia do jazz\" class=\"wp-image-99\" srcset=\"https:\/\/www.doctajazz.com\/br\/wp-content\/uploads\/2024\/08\/joe-zawinul-jazz-fusion-historia-do-jazz-1024x816.webp 1024w, https:\/\/www.doctajazz.com\/br\/wp-content\/uploads\/2024\/08\/joe-zawinul-jazz-fusion-historia-do-jazz-300x239.webp 300w, https:\/\/www.doctajazz.com\/br\/wp-content\/uploads\/2024\/08\/joe-zawinul-jazz-fusion-historia-do-jazz-768x612.webp 768w, https:\/\/www.doctajazz.com\/br\/wp-content\/uploads\/2024\/08\/joe-zawinul-jazz-fusion-historia-do-jazz-624x497.webp 624w, https:\/\/www.doctajazz.com\/br\/wp-content\/uploads\/2024\/08\/joe-zawinul-jazz-fusion-historia-do-jazz.webp 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Joe Zawinul<\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Um_pouco_de_historia_O_que_e_o_jazz_fusion\"><\/span>Um pouco de hist\u00f3ria: O que \u00e9 o jazz fusion?<span class=\"ez-toc-section-end\"><\/span><\/h2><div id=\"ez-toc-container\" class=\"ez-toc-v2_0_81 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.doctajazz.com\/br\/historia-do-jazz\/jazz-fusion\/#Um_pouco_de_historia_O_que_e_o_jazz_fusion\" >Um pouco de hist\u00f3ria: O que \u00e9 o jazz fusion?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.doctajazz.com\/br\/historia-do-jazz\/jazz-fusion\/#Quem_comecou_com_o_jazz_fusion\" >Quem come\u00e7ou com o jazz fusion?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.doctajazz.com\/br\/historia-do-jazz\/jazz-fusion\/#Melhores_musicos_de_jazz_fusion_atuais_e_classicos\" >Melhores m\u00fasicos de jazz fusion atuais e cl\u00e1ssicos<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.doctajazz.com\/br\/historia-do-jazz\/jazz-fusion\/#Melhores_albuns_de_jazz_fusion_por_decada\" >Melhores \u00e1lbuns de jazz fusion por d\u00e9cada<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n\n<p class=\"wp-block-paragraph\">Esse subg\u00eanero teve seu principal movimento nos \u00faltimos anos da d\u00e9cada de 60. <strong>Os m\u00fasicos pegaram elementos do jazz, como a improvisa\u00e7\u00e3o, e combinaram com os ritmos caracter\u00edsticos do funk e do R&amp;B<\/strong>. A essa fus\u00e3o de g\u00eaneros, adicionaram instrumentos eletr\u00f4nicos amplificados, que na \u00e9poca eram usados apenas pelo rock.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O jazz fusion se caracteriza principalmente por levar a t\u00e9cnicas de improvisa\u00e7\u00e3o a limites inesperados, que foram explorados ao m\u00e1ximo nas d\u00e9cadas de 80 e 90. A experimenta\u00e7\u00e3o musical, compositiva e sonora s\u00e3o os pilares da fus\u00e3o no jazz.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cEscolhi o jazz fusion porque estava tentando me tornar o m\u00fasico t\u00e9cnico definitivo, capaz de tocar qualquer coisa. O jazz fusion, para mim, \u00e9 a m\u00fasica mais dif\u00edcil de tocar. Voc\u00ea tem que ser muito h\u00e1bil com seu instrumento. Por exemplo, tocar cinco tempos ao mesmo tempo. Queria desafiar a m\u00fasica mais dif\u00edcil porque sabia que, se pudesse fazer isso, poderia fazer qualquer coisa\u201d, defini\u00e7\u00e3o de jazz fusion pelo baixista e cantor Randy Jackson.<\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Quem_comecou_com_o_jazz_fusion\"><\/span>Quem come\u00e7ou com o jazz fusion?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Sempre h\u00e1 pioneiros que arriscam tudo para evoluir, deixando de lado o conforto de estar sempre no mesmo lugar. O jazz fusion n\u00e3o foi exce\u00e7\u00e3o; os primeiros artistas e m\u00fasicos que come\u00e7aram a trilhar o vertiginoso caminho da fus\u00e3o de instrumentos, ritmos e composi\u00e7\u00f5es foram, entre outros:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Miles Davis<\/li>\n\n\n\n<li>Herbie Hancock<\/li>\n\n\n\n<li>Joe Zawinul<\/li>\n\n\n\n<li>Jan Hammer<\/li>\n\n\n\n<li>Chick Corea<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Melhores_musicos_de_jazz_fusion_atuais_e_classicos\"><\/span>Melhores m\u00fasicos de jazz fusion atuais e cl\u00e1ssicos<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Claro, no universo desse subg\u00eanero do jazz, houve quem se destacou, colocando o estilo no topo da cena mundial. Esses m\u00fasicos ficaram na hist\u00f3ria por seu contributo na defini\u00e7\u00e3o est\u00e9tica do estilo:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Miles Davis<\/li>\n\n\n\n<li>Weather Report<\/li>\n\n\n\n<li>Chick Corea<\/li>\n\n\n\n<li>Herbie Hancock<\/li>\n\n\n\n<li>The Yellowjackets<\/li>\n\n\n\n<li>The Joe Harriott Double Quintet<\/li>\n\n\n\n<li>Gabor Szabo<\/li>\n\n\n\n<li>Basil Kirchin &amp; John Coleman<\/li>\n\n\n\n<li>Tony Scott &amp; The Indonesian All Stars<\/li>\n\n\n\n<li>The Joe Harriott and John Mayer Double Quintet Indo\u2013Jazz Fusions<\/li>\n\n\n\n<li>George Gruntz<\/li>\n\n\n\n<li>Herbie Mann<\/li>\n\n\n\n<li>Joe Zawinul<\/li>\n\n\n\n<li>Larry Carlton<\/li>\n\n\n\n<li>Terje Rypdal<\/li>\n\n\n\n<li>Jean-Luc Ponty<\/li>\n\n\n\n<li>Pat Martino<\/li>\n\n\n\n<li>John Mayer<\/li>\n\n\n\n<li>Mahavishnu Orchestra<\/li>\n\n\n\n<li>Jaco Pastorius<\/li>\n\n\n\n<li>Al Di Meola<\/li>\n\n\n\n<li>Return to Forever<\/li>\n\n\n\n<li>Pat Metheny<\/li>\n\n\n\n<li>Marcus Miller<\/li>\n\n\n\n<li>John McLaughlin<\/li>\n\n\n\n<li>Billy Cobham<\/li>\n\n\n\n<li>Stanley Clarke<\/li>\n\n\n\n<li>Allan Holdsworth<\/li>\n\n\n\n<li>John Scofield<\/li>\n\n\n\n<li>Hiromi<\/li>\n\n\n\n<li>John Patitucci<\/li>\n\n\n\n<li>Shakti<\/li>\n\n\n\n<li>Tribal Tech<\/li>\n\n\n\n<li>Victor Wooten<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Melhores_albuns_de_jazz_fusion_por_decada\"><\/span>Melhores \u00e1lbuns de jazz fusion por d\u00e9cada<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Os \u00e1lbuns que marcaram a hist\u00f3ria e evolu\u00e7\u00e3o deste subg\u00eanero do jazz ao longo de sua trajet\u00f3ria s\u00e3o os seguintes, desde os \u00e1lbuns de jazz fusion cl\u00e1ssico at\u00e9 os mais atuais, muitos dos quais podem ser ouvidos online nas plataformas de streaming. Portanto, n\u00e3o h\u00e1 desculpas. \u00a1A ouvir!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">D\u00e9cada de 1960<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Gary Burton \u2013 Duster (1967)<\/li>\n\n\n\n<li>Miles Davis \u2013 In a Silent Way (1969)<\/li>\n\n\n\n<li>Blood, Sweat &amp; Tears \u2013 Blood, Sweat &amp; Tears (1969)<\/li>\n\n\n\n<li>The Tony Williams Lifetime \u2013 Emergency! (1969)<\/li>\n\n\n\n<li>Frank Zappa \u2013 Hot Rats (1969)<\/li>\n\n\n\n<li>Chicago \u2013 The Chicago Transit Authority (1969)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">D\u00e9cada de 1970<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Miles Davis \u2013 Bitches Brew (1970), A Tribute to Jack Johnson (1971), On the Corner (1972), Get Up With It (1974), Dark Magus (1974), Agharta (1975), Pangaea (1975)<\/li>\n\n\n\n<li>Dreams \u2013 Dreams (1970)<\/li>\n\n\n\n<li>Chicago \u2013 Chicago (1970)<\/li>\n\n\n\n<li>Nucleus \u2013 Elastic Rock (1970), We\u2019ll Talk About It Later (1971)<\/li>\n\n\n\n<li>Larry Coryell \u2013 Spaces (1970), Larry Coryell At The Village Gate (1971)<\/li>\n\n\n\n<li>The Tony Williams Lifetime \u2013 Turn It Over (1970)<\/li>\n\n\n\n<li>Jimmy Smith \u2013 Root Down (1972)<\/li>\n\n\n\n<li>Billy Cobham \u2013 Spectrum (1973)<\/li>\n\n\n\n<li>The New Tony Williams Lifetime \u2013 Believe It (1975), Million Dollar Legs (1976)<\/li>\n\n\n\n<li>Alphonse Mouzon \u2013 Mind Transplant (1975), Virtue (1976), In Search of a Dream (1978)<\/li>\n\n\n\n<li>Soft Machine \u2013 Third (1970), Fourth (1971), Six (1973), Seven (1973), Bundles (1975), Softs (1976)<\/li>\n\n\n\n<li>National Health \u2013 National Health (1977), Of Queues and Cures (1978)<\/li>\n\n\n\n<li>Mahavishnu Orchestra \u2013 The Inner Mounting Flame (1971), Birds of Fire (1972), Between Nothingness and Eternity (1973), The Lost Trident Sessions (1973), Apocalypse (1974), Visions of the Emerald Beyond (1975)<\/li>\n\n\n\n<li>John McLaughlin \u2013 My Goal\u2019s Beyond (1971), Love Devotion Surrender (1973)<\/li>\n\n\n\n<li>Herbie Hancock \u2013 Crossings (1972), Head Hunters (1973), Thrust (1974)<\/li>\n\n\n\n<li>Frank Zappa \u2013 Waka\/Jawaka (1972), The Grand Wazoo (1972)<\/li>\n\n\n\n<li>Matching Mole \u2013 Matching Mole (1972)<\/li>\n\n\n\n<li>Weather Report \u2013 Weather Report (1971), I Sing the Body Electric (1972), Sweetnighter (1973), Mysterious Traveller (1974), Tale Spinnin\u2019 (1975), Black Market (1976), Heavy Weather (1977), Mr. Gone (1978), 8:30 (1979)<\/li>\n\n\n\n<li>Return to Forever \u2013 Light as a Feather (1973), Hymn of the Seventh Galaxy (1973), Where Have I Known You Before (1974), Romantic Warrior (1976), Musicmagic (1977)<\/li>\n\n\n\n<li>Santana \u2013 Caravanserai (1972)<\/li>\n\n\n\n<li>Oregon \u2013 Distant Hills (1973), Winter Light (1974)<\/li>\n\n\n\n<li>Jeff Beck \u2013 Blow by Blow (1975), Wired (1976)<\/li>\n\n\n\n<li>David Sancious \u2013 Forest Of Feelings (1975)<\/li>\n\n\n\n<li>Lenny White \u2013 Venusian Summer (1975)<\/li>\n\n\n\n<li>Gilgamesh \u2013 Gilgamesh (1975)<\/li>\n\n\n\n<li>Jaco Pastorius \u2013 Jaco Pastorius (1976)<\/li>\n\n\n\n<li>Brand X \u2013 Unorthodox Behaviour (1976), Moroccan Roll (1977)<\/li>\n\n\n\n<li>Al Di Meola \u2013 Land of the Midnight Sun (1976), Elegant Gypsy (1977), Casino (1978)<\/li>\n\n\n\n<li>Stanley Clarke \u2013 Stanley Clarke (1974), School Days (1976)<\/li>\n\n\n\n<li>Chick Corea \u2013 The Leprechaun (1976), My Spanish Heart (1976)<\/li>\n\n\n\n<li>Ralph MacDonald \u2013 Counterpoint (1977)<\/li>\n\n\n\n<li>Gong \u2013 Gazeuse! (1977), Expresso II (1978)<\/li>\n\n\n\n<li>Jean-Luc Ponty \u2013 Imaginary Voyage (1976), Enigmatic Ocean (1977), Cosmic Messenger (1978)<\/li>\n\n\n\n<li>Brecker Brothers \u2013 Heavy Metal Bebop (1978)<\/li>\n\n\n\n<li>Ronnie Montrose \u2013 Open Fire (1978)<\/li>\n\n\n\n<li>Bruford \u2013 One Of A Kind (1979)<\/li>\n\n\n\n<li>Pat Metheny \u2013 Pat Metheny Group (1978), American Garage (1979)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">D\u00e9cada de 1980<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Weather Report \u2013 Night Passage (1980), Weather Report (1982), Procession (1983), Domino Theory (1984), Sportin\u2019 Life (1985)<\/li>\n\n\n\n<li>Brecker Brothers \u2013 Detente (1980), Straphangin\u2019 (1981)<\/li>\n\n\n\n<li>Herbie Hancock \u2013 Mr. Hands (1980)<\/li>\n\n\n\n<li>Steps Ahead \u2013 Smokin\u2019 In The Pit (1980), Steps Ahead (1983), Live In Tokyo (1986)<\/li>\n\n\n\n<li>Frank Zappa \u2013 Shut Up \u2018n Play Yer Guitar (1981)<\/li>\n\n\n\n<li>Miles Davis \u2013 We Want Miles (1982)<\/li>\n\n\n\n<li>Vital Information \u2013 Vital Information (1983)<\/li>\n\n\n\n<li>Yellowjackets \u2013 Mirage a Trois (1983)<\/li>\n\n\n\n<li>Allan Holdsworth \u2013 Road Games (1983), Metal Fatigue (1985), Atavachron (1986), Sand (1987), Secrets (1989<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Um dos tipos de jazz que possui suas pr\u00f3prias caracter\u00edsticas \u00e9 o denominado Jazz Fusion, que, junto com os outros subg\u00eaneros, marca a evolu\u00e7\u00e3o do jazz ao longo do tempo&#8230;. <a class=\"read-more-link\" href=\"https:\/\/www.doctajazz.com\/br\/historia-do-jazz\/jazz-fusion\/\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":100,"parent":20,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-98","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/pages\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/comments?post=98"}],"version-history":[{"count":1,"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/pages\/98\/revisions"}],"predecessor-version":[{"id":101,"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/pages\/98\/revisions\/101"}],"up":[{"embeddable":true,"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/pages\/20"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/media\/100"}],"wp:attachment":[{"href":"https:\/\/www.doctajazz.com\/br\/wp-json\/wp\/v2\/media?parent=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}